Born in Chicago, Elizabeth Murray (1940–2007) moved to New York in 1967. There, at a moment when some had declared painting dead, she became one of a heterogeneous group of artists—among them Jack Whitten, Mary Heilmann, Brice Marden, and Ron Gorchov—reinvigorating the medium. This show, the first institutional exhibition of Murray’s work in the UK, brings together a selection of her breakthrough multidimensional, multi-panel pieces of the 1980s and early 1990s. Employing canvas stretched over shaped supports and combining figuration with abstraction, these idiosyncratic—and often monumental—constructions drew from, among other sources, Cubism, Surrealism, early Modernist and Pop art, Abstract Expressionism, and cartooning. On view are paintings like Wake Up (1981) with its fractured image of a coffee cup; Bean, Summer (1982), featuring a cartoonish, comma-like form; and the colorful, biomorphic Sandpaper Fate (1992–93), as well as drawings and prints from the same period.