“Odyssey: Jack Whitten Sculpture, 1963–2017,”
American abstractionist Jack Whitten, who died in early 2018, is justly celebrated for working magic with acrylic paint—combing it, carving it, and casting tiles, membranes, and objects out of it to use in tessellated or collaged compositions—but he’s less well known as a sculptor. This show of his sculptures, organized by the Met Breuer, New York, and the Baltimore Museum of Art, brings together some forty works. Made on summer trips to Greece starting in the 1970s and inspired by African, Cycladic, and African American vernacular art, they incorporate bones, nails, drawer pulls, circuit boards, fishing line, and carved wood and marble. The pieces evince the same engagement with process as Whitten’s two-dimensional works, a kinship underscored by the inclusion of eighteen of his paintings.