Grouping works of art from various periods, Campo Abierto (Open Field) explores the formal, social and environmental aspects of landscape that have been present, yet rarely examined, throughout Sheila Hicks’ expansive career. Prompting contemplations on collaboration, dialogue and discussion, the exhibition is rooted in the reconfiguration of Escalade Beyond Chromatic Lands (2016-2017), the artist’s vast installation produced for the Arsenale at the Venice Biennale in 2017. The exhibition brings together several large-format installations, as well as more intimately-scaled works, that utilize and transform the…

Hauser & Wirth New York is pleased to present two concurrent exhibitions devoted to Piero Manzoni, a seminal figure of postwar Italian Art and progenitor of Conceptualism. During a brief but influential career that ended upon his untimely death in 1963, Manzoni evolved from a self-taught abstract painter into an artistic disruptor. Curated by Rosalia Pasqualino di Marineo, director of the Piero Manzoni Foundation in Milan, the exhibitions ‘Piero Manzoni. Materials of His Time’ and ‘Piero Manzoni. Lines’ unfold over…

Over the past 30 years, Lorna Simpson has continued to probe questions about the nature of representation, identity, gender, race, and history, while expanding her oeuvre to encompass various media including film and video, painting, drawing, and, most recently, sculpture. Her powerful works entangle viewers in an equivocal web of meaning: what is unseen and left unsaid is equally important as that which the artist does disclose. In this exhibition of new paintings and collages, Simpson continues to engage viewers…

Renowned as art history’s leading kinetic artist, Soto explored the dematerialization, or ‘disintegration’ of the art object, breaking new ground while anticipating conceptual strategies to come. Hauser & Wirth is pleased to present the first exhibition to focus on the critical first decade of the artist’s life in Paris, from 1950 – 1960. During this period, Soto exhibited at the Salon des Réalités Nouvelles alongside established European artists like Josef Albers and Fernand Léger as well as members of Grupo…

Matthew Marks is pleased to announce Jordan Belson: Paintings 1950–1965, the next exhibition in his gallery at 523 West 24th Street. It features twenty-three paintings, the majority of which are being shown publicly for the first time, and four films. Jordan Belson (1926–2011), a seminal figure in twentieth-century avant-garde cinema, studied painting as a young man, and in 1949 his work was included in two exhibitions at the Guggenheim Museum, then called the Museum of Non-Objective Painting. In the late 1940s…